Thissection of The JudyGarland Online Discography isdevoted to Judy's performances on radio, stage,and television. The 'Other' sectionincludes records and CDs that are hybrid compilationsthat include tracks from some or all three ofthe previous categories - or they simply defybasic categorization.You will find some repeat listings of recordsand CDs already listed in the other sectionsof the Discography. For example, 'JudyAt Carnegie Hall'is both an official Capitol Records release,as well as a live performance.
Portraits In Rhythm Pdf
All releases of this recording are includedboth here and in the section.Many of the albums listed here are 'bootleg' releasesfrom the 1960's, 70's, & 80's. Often timesthese records were poorly produced, with incorrecttrack listings or no listings at all! We havetried to present the most accurate track listingsfor these records to the best of our abilities.Corrections are noted in brackets in thosetrack listings.As always, please feel free to if you see any errors, or ifyou'd like to contribute an album or CD thatyou have.NOTE: Be sure to check out (OldTime Radio Catalog) as a resource for radio transcription CDs. Manypeople see Judy Garland simply as a famous moviestar of the 30's and 40's. What they might notrealize is that Judy Garland was perhaps evenmore famous, especially during her lifetime,as a legendary concert performer. The legendcontinues to this day.After her break with MGM in 1950, Judy embarkedon a new career returning to the live performancesthat were a part of her life from the age of 21/2 up to her first studio contract at age 13.In 1951 she made her first of many legendary 'comebacks'by bringing Vaudeville back to The Palace Theater.Just prior to this, she tried out her show in Londonat the Palladium - no recording of this first concertperformance exists.Until her death in 1969, Judy Garland would remainthe ultimate concert performer. 1965Live At The Palladium1967At Home At The Palace1969Judy.
JudyGarland made her first television appearanceon the 'Ford Star Jubilee' special 'MissShow Business' on September 24, 1955.Although terrified of the new medium, Judywas flawless, and the special was a huge successand the highest rated special to date.For the rest of her career, Judy would appearis several more specials, make guest appearanceson talks shows and variety shows, and moreimportantly host her own variety show in thefall/spring of 1963/64, the legendary 'TheJudy Garland Show'. All in all she wouldperform in well over 100 television appearancesfrom 1955 through 1969.' The Judy Garland Show', as wellas many of her other television appearances,are the only visual record we have of JudyGarland 'in concert', performingmany great songs that she never recorded orsang anywhere else. Plus, they give us theopportunity to see Judy performing with thegreat talents of the day.Luckily, we now have all of the shows fromher series restored and available on DVD.
For more information about these wonderfulDVD's.Hopefully all of the surviving footage of herappearances on television will eventually berestored and released on DVD. Hereis where we've put albums that don't fit in anycategory, along with albums that are hybridsencompassing several aspects of Judy's recordingcareer such as compilations featuring some radioand TV performances, or some studio and livetracks, etc.Some of the albums listed here are also listedin the other sections of The Judy Garland OnlineDiscography.Photo at left: 1948 MGMportrait.1962Go With The Greats19633 Billion Millionaires1970'sJudy!
VIOLINIntermezzo String Orchestra (ISO)・ Scales: D major (2 octaves), melodic minor of your choice (2 octaves)・ 1-2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, pieces from Suzuki Book 3 are an appropriate level.・ Melodic and Rhythmic sight-readingYouth Philharmonic (YP)・Scales: G major (3 octaves), D melodic minor (2 octaves)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition.
For Suzuki reference, “Humoresque” from Book 3 is an appropriate level.・Melodic and Rhythmic sight-readingYouth Symphony Orchestra (YSO)・Scales: 1 major scale chosen at random from up to 3 sharps and 3 flats, and a melodic minor scale of your choice (each 3 octaves)・1-2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, Book 5 is an appropriate level.・Melodic and Rhythmic sight-reading・Excerpt Tips: 1) Strive for the stated tempo, but remember: accuracy is more important than tempo.
2) Listen to recordings of these works in order to hear your part in the right context. VIOLAIntermezzo String Orchestra (ISO)・ Scales: G major (2 octaves), melodic minor or your choice (2 octaves)・ 2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, “Minuet in G” in Book 2 or higher is an appropriate level.・ Melodic and Rhythmic sight-readingYouth Philharmonic (YP)・Scales: C major (3 octaves), G melodic minor (2 octaves)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability.
Bring two copies of your solo part to the audition. For Suzuki reference, “Humoresque” from Book 3 is an appropriate level.・Melodic and Rhythmic sight-readingYouth Symphony Orchest ra (YSO)・Scales: 1 major scale chosen at random from up to 3 sharps and 3 flats, and a melodic minor scale of your choice (each 3 octaves)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, Book 5 is an appropriate level.・Melodic and Rhythmic sight-reading・Excerpt Tips: 1) Strive for the stated tempo, but remember: accuracy is more important than tempo. 2) Listen to recordings of these works in order to hear your part in the right context. CELLOIntermezzo String Orchestra (ISO)・ Scales: G major (2 octaves), melodic minor of your choice (2 octaves)・ 2 minutes of a prepared solo or etude that best demonstrates the musician’s ability.
Bring two copies of your solo part to the audition. For Suzuki reference, “ Gavotte' by Gossec from Book 2 is an appropriate level.・ Melodic and Rhythmic sight-readingYouth Philharmonic (YP)・Scales: C major (3 octaves), G minor (2 octaves)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, “Scherzo” from Book 3 is an appropriate level.・Melodic and Rhythmic sight-readingYouth Symphony Orchestra (YSO)・Scales: 1 major scale chosen at random from up to 3 sharps and 3 flats, and a melodic minor scale of your choice (each 3 octaves)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, Book 5 is an appropriate level.・Melodic and Rhythmic sight-readingExcerpt Tips: 1) Strive for the stated tempo, but remember: accuracy is more important than tempo.
2) Listen to recordings of these works in order to hear your part in the right context. BASSIntermezzo String Orchestra (ISO)・Scales: 1 major and 1 melodic minor scale of your choice (1 octave)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, Book 2 is an appropriate level.・Melodic and Rhythmic sight-readingYouth Philharmonic (YP)・Scales: A major (1 octave), and E melodic minor (2 octaves)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition. For Suzuki reference, Book 3 is an appropriate level・Melodic and Rhythmic sight-readingYouth Symphony Orchestra (YSO)・Scales: 1 major scale chosen at random from up to 3 sharps and 3 flats, and a melodic minor scale of your choice (each 2 octaves)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition.
Rhythm In Music
For Suzuki reference, Book 5 is an appropriate level.・Melodic and Rhythmic sight-readingExcerpt Tips: 1) Strive for the stated tempo, but remember: accuracy is more important than tempo. 2) Listen to recordings of these works in order to hear your part in the right context. Youth Philharmonic (YP)・Scales: Chromatic (from your lowest to highest comfortable pitches), and 1 major chosen at random from up to 2 sharps and 2 flats (as many octaves as comfortable)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition.・Melodic and Rhythmic sight-readingYouth Symphony Orchestra (YSO)・Scales: Chromatic (from your lowest to highest comfortable pitches), and 1 major chosen at random from up to 3 sharps and 3 flats (as many octaves as comfortable)・2 minutes of a prepared solo or etude that best demonstrates the musician’s ability. Bring two copies of your solo part to the audition.・Melodic and Rhythmic sight-reading・Orchestral Excerpts (click instrument to download):,. Tips 1) Strive for the stated tempo, but remember: accuracy is more important than tempo.
2) Listen to recordings of these works in order to hear your part in the right context.